CHRISTINE 23 ONNA were founded as one of Maso YAMAZAKI's projects (like Masonna, Space Machine, or South Saturn Delta), by Maso and Fusao TODA (ex-Angel'in Heavy Syrup) in 1998. This critical electronic duo have given a music strategy for "a fusion of the psychedelic phrases of accomplished guitarist and composer Fusao, and the spacey electronics of Maso (quoted from their website)", quite different from the other projects of Maso mentioned above.
Gradually invaded into my deep brain and instantly broken the tissue structure in pieces ... I'd not been fond of this album indeed, but amazingly it was only a fake. Got immersed in such a loud, annoying atmosphere through the acid sound-garden created by two rox / sex experts.
Consider that their soundscape can be divided into three fragments basically. One is a comfortable "pop" world soiled / violated with a bunch of irritating noise dirts (like the very beginning stuff "Fantasisco" or "The Last Hunter" or so, heavy, deep, and danceable groove numbers along with their catchy sense), one is an electronic ambiance like "Unknown Planet", with meditative, hallucinogenic medication spice (actually this frag is my favourite, where I can get drenched fully in their transcendental meditation with the basic human activity), and one is an acid noisy dirty violation itself (e. g. "Acid Now!", the titled one or the last "Erotopia - The Climax"). Yeah dazzling capricious states of sound can be attractive for us too, let me say.
We can feel sometimes go-ahead-ly enthusiastic, sometimes mysteriously inspirational, and sometimes toughly nauseous. And finally we will get absorbed deeply into their mischievous electronic sound structure with heavy, loud guitar noises and deep, percussive rhythm quakes. Honestly I cannot help recommending this funkadelic electronic explosive album for every freak elektronika. Woohoo.
DamoXt7942 | 4/5 |
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